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Edgar Degas (1834-1917)
Edgar Degas was a French painter, graphic artist, and sculptor. He began to paint early in his life. By eighteen, he had turned a room in his home into an artist's studio, and in 1853 he registered as a copyist in the Louvre. His father, however, expected him to go to law school. Degas duly registered at the Faculty of Law of the University of Paris in November 1853, but made little effort at his studies there. In 1855, Degas met Jean Auguste Dominique Ingres, whom he revered, and whose advice he never forgot: "Draw lines, young man, and still more lines, both from life and from memory, and you will become a good artist." In April of that same year, Degas received admission to the Ecole des Beaux-Arts.
In 1854-1859 he made several trips to Italy, some of the time visiting relatives, studying the Old Masters; he painted historical pictures and realistic portraits of his relatives: Portrait of Marguerite de Gas, the Artist's Sister, Portrait of Achille de Gas in the Uniform of a Cadet, Portrait of Hilaire de Gas, Grandfather of the Artist. By 1860 Degas had drawn over 700 copies of other works, mainly early Italian Renaissance and French classical art.
In the 1860s he was introduced to Impressionism by Édouard Manet and gave up his academic aspirations, turning for his subject matter to the fast-moving city life of Paris, particularly the ballet, theatre, circus, racetrack, and cafés. Influenced by Japanese prints and the new medium of photography, he used displaced figure groupings and unfamiliar perspective to create figure groups seen informally and in movement, similar in effect to snapshots. His fascination with the ballet and the racetrack sprang from his interest in picturing people absorbed in the practiced movements of their occupations.
At the outbreak of the Franco-Prussian War in 1870, Degas enlisted in the National Guard, where his defense of Paris left him little time for painting. During rifle training his eyesight was found to be defective, and for the rest of his life his eye problems were a constant worry to him.
After the war, in 1872, Degas began an extended stay in New Orleans, Louisiana, where his brother René and a number of other relatives lived. Staying in a house on Esplanade Avenue, Degas produced a number of works, many depicting family members. One of Degas' New Orleans works, depicting a scene at The Cotton Exchange at New Orleans, garnered favorable attention back in France, and was his only work purchased by a museum (that of Pau) during his lifetime.
After his return from America, Degas had closer contact with dealers such as Durand-Ruel, in an attempt to bring his work to public attention independently of the Salon. In 1874 Degas helped organize the 1st Impressionist exhibition. He always found the term “Impressionism” unacceptable – mainly, perhaps, because he did not share the Impressionists’ over-riding interest in landscape and color. He did not care to be tied down to one method of painting. Nonetheless, Degas was to participate in all the group exhibitions except that of 1882. Degas used the group and the exhibitions high-handedly to promote himself. His strategy seems to have been to show off his own diversity at the exhibitions, for he always entered works that were thematically and technically very varied
Although he is known to have been working in pastel as late as the end of 1907, and is believed to have continued making sculpture as late as 1910, he apparently ceased working in 1912, when the impending demolition of his longtime residence on the rue Victor Massé forced a wrenching move to quarters on the boulevard de Clichy. He never married and spent the last years of his life, nearly blind, restlessly wandering the streets of Paris before dying in 1917. |
Joan Miro Claude Monet Edgar Degas Emily Carr Marc Chagall Renoir Van Gogh Yasek Jerka Pavel Filonov Ray CaesarRembrandt History of Arts Rob Gonsalves Dali |
Dancers
Cleveland Museum of Art
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At the Milliners Shopping
Bequest of Grace Underwood Barton |
Ballet Rehearsal, 1873
The Fogg Art Museum, Cambridge, Massachusetts
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At the Races in the Country 1875
Oil on canvas Museum of Fine Arts, Boston
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Ballet Rehearsal
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Woman in the Bath 1886
Hill-Stead Museum, Farmington, Connecticut |
Four Dancers , 1899
Oil on canvas
National Gallery of Art, Washington
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La classe de danse (The Dancing class) 1873-75
Oil on canvas
Musee d'Orsay, Paris
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Two Dancers in Blue 1899
Oil on canvas
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Dancers in Blue1890
Musee d'Orsay, Paris |
Place de la Concorde 1875
Oil on canvas
Hermitage, St Petersburg
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Ballet School 1879-80
Oil on canvas
Corcoran Gallery of Art, Washington (D.C.)
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Ballet 1899 |
Ballet Rehearsal 1875
Gouache, Pastel
Private Collection |
The Dance Foyer at the Opera Ru Le Peletier 1872
Musee d'Orsay, Paris
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Ballet Scene c. 1904-1906
Pastel
Sammlung C. Dale, New York
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Ballet Rehearsal 1878-79
Metropolitan Museum of Art, New York |
Ballet 1872
Oil on canvas
Städelsches Kunstinstitut, Frankfurt am Main |
At the stage
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Dancers 1872
Oil on panel
Metropolitan Museum of Art, New York |
1880
pastel on paper
Sammlung Mrs. Thomas Card, New Bedford |
Primaballerina 1878
pastel
Musée d'Orsay, Paris |
Dancer1877-1878
oil on canvas
Pushkin Museum, Moscow |
Russian Dancers 1885
pastel
Nationalmuseum, Stockholm |
Dancers 1898
pastel on paper
Ordrupgaardsamlingen, Kopenhagen |
Dancers 1873
oil on canvas
Sammlung H. de Ganay, Paris |
Ende der Arabeske1877
pastel on paper
Musée d'Orsay, Paris |
Rehersal 1873-1874
oil on canvas
Musée d'Orsay, Paris |
Harlekin and Colombine 1884
pastel on paper
Österreichische Galerie, Vienna |
Dancers 1885
pastel on paper
Musée Cognacq-Jay, Paris |
Dancer1881-83
pastel on paper
Musée d'Orsay, Paris |
Dancer1891
pastel on paper
Magyar Szépmüvészeti Múzeum, Budapest |
Dancer c. 1881
pastel on paper
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Der Star des Balletts 1878
pastel on paper
Private collection, Paris |
Dancer1890
pastel on paper
Musée d'Orsay, Paris |
Dancer 1890
oil on canvas
Musée d'Orsay, Paris |
Dancer at Stange c. 1888
oil on canvas
Phillips Collection, Washington (D.C.)
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Dancers in Foyer 1887-90
oil on canvas
Ny Carlsberg Glyptotek, Kopenhagen |
Dancer in Blue1890
pastel on paper
Pushkin Museum, Moscow |
Dancer in Pink 1884
oil on canvas
Ny Carlsberg Glyptotek, Kopenhagen |
During the Dance Class: Madame Cardinal c. 1888
oil on canvas
Museum of Art, Philadelphia
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Exhausted dancer 1887-90
pastel on paper
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Two Dancers |
Dancer
pastel on paper
Metropolitan Museum of Art, New York |
Dancers Practicing at the Bar1877
Mixed media on canvas
Metropolitan Museum of Art, New York
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Balette Scene
pastel on paper
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Ballet Exam |
Ballet School
oil on canvas
Metropolitan Museum of Art, New York |
Ballet School
Oil on canvas
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In the Theatre
pastel on paper
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Race Horses 1885-88
Pastel on panel
Philadelphia Museum of Art, USA |
Three Ballet Dancers 1899
Pastel on paper
Barnes Foundation |
The Singer in Green
Pastel
Metropolitan Museum of Art, New York |
Seated Dancer c. 1879-80
Charcoal and pastel on paper mounted on pasteboard The Hermitage, St. Petersburg
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Les repasseuses (Women Ironing) 1884
Oil on canvas
Musee d'Orsay, Paris |
Woman Combing her Hair 1887-90
Louvre, Paris |
L'absinthe 1876
Oil on canvas
Musee d'Orsay, Paris |
Cafe-Concierto Ambassadors 1877
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Dancer in Red
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Dancers
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Dancer |
Dancers
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Woman in Bath
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Woman in Bath
Pastel on tracing paper
The Art Institute of Chicago |
Woman in Her Toilet |
The Baker's Wife 1885
Pastel on paper
The Henry and Rose Pearlman Foundation
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Study
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David and Goliath 1864
The Art Institute of Chicago |
Two Dancers
Study |
Vilonist and Young Womanc. 1871
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Dancer Stretching at the Bar c. 1877-1880
Pastel with stumping on ivory laid paper
The Art Institute of Chicago |
Jockeys Before The Race 1878-79
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Dancer Bending Forward 1881
Charcoal with stumping, heightened with white and yellow pastel with stumping, on blue laid paper ruled with charcoal
The Art Institute of Chicago |
Study
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Dancers in the Wings c. 1878
Norton Simon Foundation, Pasadena, CA |
Lorenzo Pagans and Auguste de Gas (the artist's father) 1871-72
Oil on canvas Musée d'Orsay, Paris |
Before the Start
Oil on canvas
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L’orchestre
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Woman Having Her Hair Combed c. 1885
Pastel Metropolitan Museum of Art, New York |
Bellelli family
Oil on canvas
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Count Lepic and His Daughters 1870
Oil on canvas
stolen from Sammlung E. G. Bührle |
Lake and Mountains c. 1890-1892
Sammlung H. Havemeyer jr., New York |
Landscape with cliffs |
The Fashion Store
Oil on canvas
Art Institute, Chicago
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The Collector of Prints 1870
Oil on canvas
Metropolitan Museum of Art, New York |
The Cotton Exchange 1873
oil on canvas |
Portrait of Diego Martelli oil on canvas |
Portrait of Young Woman
Oil on canvas
Musée d'Orsay, Paris
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Ironing woman 1870
Oil on canvas
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Still life with Lizard c. 1858-1860
oil on canvas
Metropolitan Museum of Art, New York |
Hilaire de Gas oil on canvas |
Woman with Chrysanthemes
Oil on canvas
Musée d'Orsay, Paris
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In the Cafe Ambassateur
pastel
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The dog song 1876-77 |